I Can Ride My Bike With No Handlebars Meaning
| "Handlebars" | ||||
|---|---|---|---|---|
 | ||||
| Single past Flobots | ||||
| from the album Fight with Tools | ||||
| Released | Apr xi, 2008 (United States) August 25, 2008 (United kingdom of great britain and northern ireland) | |||
| Recorded | 2005 | |||
| Genre |
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| Length | 3:27 | |||
| Label | Universal Democracy | |||
| Songwriter(south) |
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| Producer(due south) | Flobots | |||
| Flobots singles chronology | ||||
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| Audio sample | ||||
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| Music video | ||||
| Handlebars on YouTube | ||||
"Handlebars" is a song by Flobots. It was released as the first unmarried from their debut album, Fight with Tools, and is the group's largest success, peaking at number 37 on the Billboard Hot 100 and number iii on the Billboard Modern Rock Tracks chart.
Background [edit]
"Handlebars" was originally released in 2005 on the ring'south first EP, Flobots Present...Platypus, before beingness re-released on Fight with Tools 2 years later with a re-recorded vocal. The song won in a fan-voted local radio station contest at the end of 2007, giving the song the chance to be played on the station.[one] The vocal was and then popular that information technology was put into total rotation at the station by the end of Jan, attracting the attention of record companies.[1] The Flobots ultimately signed with Universal Republic off the dorsum of the single'southward success.[i]
In May 2019, Flobots sued YouTube user Logan Paul for copyright infringement over his 2022 single "No Handlebars". The group has requested all royalties for the vocal, which has earned Paul over $i million since 2017.[two]
Theme [edit]
Jamie Laurie stated that the vocal is about "the idea that we have so much incredible potential every bit human beings to be destructive or to be creative." "And it'southward tragic to me that the ambition for armed services innovation is endless, but when it comes to taking on a projection like catastrophe world hunger, it's seen as outlandish. It's not treated with the same seriousness. ... at the same time, I knew there were people at that moment who were being bombed by our own country. And I idea that was incredibly powerful." It is the dissimilarity between these "fiddling moments of creativity, these bursts of innovation," and the style these ideas are put to utilise "to oppress and destroy people" that the vocaliser feels is "beautiful and tragic at the aforementioned time."[iii]
Music video [edit]
The video for the vocal is animated. Information technology starts out lighthearted, showing two young friends, one wearing casual clothes and the other in a businesslike suit, sitting on a hill looking over a city. Prominent in the city is a crystalline tower with function of its framework showing. The friends ride their bikes downwards the hill without their hands on the handlebars, while the coincidental friend smiles widely. They arrive at a sign that points in two directions, i labeled with a corporate-looking symbol leading to a adumbral street, and the other labeled by a dove leading down a sunlit street. They hug and head their separate ways, the casual friend taking the path of the dove.
The next role of the song centers on the coincidental friend. He walks along a croaky sidewalk and sees a chalk drawing depicting the first scene of the video: 2 friends on bicycles with their arms in the air, riding down a hill side by side to a city. He picks up an apple off of the basis and puts information technology dorsum in its barrel. He walks past a street corner that shows a path to the corporate street. He does not see that there is blood on the walls of the corporate street. He picks up his phone and sees the corporate friend'south confront. Here the perspective switches to the other friend, and he speaks to the peaceful friend on the phone.
The corporate friend hangs up and walks downwardly the street. He lists his accomplishments and they are shown in the video earlier he stops in front of the same belfry that appeared in the beginning of the video and looks up at information technology. In the side by side scene he is completing a transaction with a man in a board room. A graph displays profits zigzagging up a lath with the corporate logo on information technology earlier ending in what looks like a spatter of blood. The camera zooms out and reveals that he was within the belfry. He then gives a speech behind a podium, which is circulate on television. The background changes from a corporate to a political setting with two American flags. The other friend sees information technology and shakes his head in disappointment.
The world becomes more bleak and oppressive, with security cameras and smokestacks, emblazoned with the corporate logo, spewing toxic fumes into the air. A hawk kills a dove, and a fighter jet soars overhead.
In the next sequence, the previously peaceful friend begins rallying a oversupply of oppressed-looking people. A human being wearing a bandana sprays an X over a affiche with a picture of the now-dictator-similar friend on it, and then the word "LIAR" below that. A oversupply of people, led by the rebellious friend, advance on the tower. They are stopped by a line of heavily armed riot-control officers, with shields displaying a fist and submachine guns, who proceed to impale the unabridged oversupply. The bandana-wearing man is killed beginning past a sniper, post-obit many more than deaths. The corporate friend looks on in horror equally he sees his friend shot downwards expressionless and lying on the basis.
The video ends with a flashback of the 2 friends pedaling off riding with no handlebars crisscrossing into a bright light.
Several times in the video, the dove is used as a symbol of peace, while the hawk represents oppressive power destroying that peace. An actual pigeon is killed by a hawk, and a wall with a dove painted on it, located adjacent to a billboard displaying the corporate symbol and a cityscape again featuring the tower, is destroyed by a wrecking brawl. In add-on, a militarist flies over the head of the corporate friend when he is walking downwardly the street.
A reference made within the video is to Che Guevara, an iconic revolutionary. An image of Guevara'southward confront appears on a man'due south T-shirt when the oppressed friend is rallying a oversupply. Another reference is to the Abu Ghraib tortures during the Iraq War, seen in a flashing image identical to the iconic photo of prisoner Abdou Hussain Saad Faleh.[ citation needed ]
Nautical chart performance [edit]
On May 17, 2008, the song peaked at number three on the Billboard Modern Rock Tracks.[4] Fueled by radio airplay, including six directly weeks at the summit of KROQ'southward most played list, it was the first single since Semisonic'south "Endmost Fourth dimension" to chart in the top ten and so quickly.[5]
It has had similar success on the digital landscape, having over xvi,500,000 total plays on the band'due south MySpace.com folio and over a substantial 54 million views on YouTube.[6] [vii] Digital download purchases have placed the song at number four on certain rap and hip-hop charts on Amazon.com.[viii]
"Handlebars" also performed well on the Billboard charts. Peaking at number iii on the Modern Rock Tracks nautical chart, number twenty-two on the Hot Digital Songs nautical chart, number thirty-5 on the Popular 100 nautical chart, number 30-seven on the Hot 100 chart, number 60-three on the Canadian Hot 100.[4]
On September 7, 2008, the song entered the UK Singles Chart at number 35 on downloads solitary and peaked at 14.
Track list [edit]
Compact Disc
- "Handlebars" – 3:27
- "Rise" – 4:10
vii-inch vinyl
- "Handlebars" – 3:27
- "Handlebars" (DJ Shadow Remix) – iv:03
Personnel [edit]
Flobots
- Jamie "Jonny five" Laurie – vocals
- Brer Rabbit – vocals
- Jesse Walker – electric bass
- Andy "Rok" Guerrero – guitar
- Mackenzie Roberts – viola
- Kenny Ortiz – drums
Guest musicians
- Joe Ferrone – trumpet
Charts [edit]
References [edit]
- ^ a b c "Flobots blow upwardly huge but credit their hometown of Denver with the success". Marquee Mag. July 1, 2008. Retrieved 4 April 2020.
- ^ Eggertsen, Chris (17 May 2019). "Logan Paul Sued past Flobots for Copyright Infringement Over 2022 Rap Single 'No Handlebars'". Billboard . Retrieved 4 April 2020.
- ^ Montgomery, James (2008-05-05). "Flobots Fight To Make The World A Better Place - News Story". news. MTV. Retrieved 2008-05-24 .
- ^ a b "Flobots Chart History". Chart History . Retrieved 2008-06-17 .
- ^ "Flobots Celebrate Kick Off of Debut Album Fight with Tools with Outdoor Hollywood Live Operation/In-Shop". Archived from the original on July 25, 2008. Retrieved May 22, 2008.
- ^ "MySpace.com - FLOBOTS - Denver, Colorado - Hip Hop / Progressive / Classical - www.myspace.com/flobots". Retrieved May 22, 2008.
- ^ "Flobots - Handlebars". Retrieved April 19, 2010.
- ^ "Product Details" (Product sales page) . Retrieved 2008-05-23 . Coil to see sales information.
- ^ "Flobots Chart History (Canadian Hot 100)". Billboard. Retrieved May 20, 2019.
- ^ "Flobots – Handlebars". Acme 40 Singles. Retrieved May twenty, 2019.
- ^ "Flobots: Artist Chart History". Official Charts Visitor. Retrieved May 20, 2019.
- ^ "Flobots Chart History (Hot 100)". Billboard. Retrieved May xx, 2019.
- ^ "Flobots Nautical chart History (Alternative Airplay)". Billboard. Retrieved May 20, 2019.
- ^ "Flobots Nautical chart History (Popular Songs)". Billboard. Retrieved May 20, 2019.
- ^ "2008 Year-End UK Charts" (PDF). Official Charts Visitor. Retrieved August 3, 2020.
Source: https://en.wikipedia.org/wiki/Handlebars_(song)
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